I had been to Savannah, Georgia years ago, but was eager to go back. I remembered it as a singular place.
The allure of Savannah has been well-documented by writers and photographers over time— the low-hanging Spanish moss draping through the branches, the brightly-painted Victorian-style railings, the historic bricked and cobblestoned streets, and the gentle breeze to take the edge off the heat when down on the riverfront.
And the green beer, too. Wait. What?!
Turns out, Savannah has the 3rd-largest Saint Patrick’s Day parade in the country— after Boston and Chicago. And had been grand-central-station for St. Patty’s Day for over 200 years!
Weirdly, I found this out at the gym in Savannah, where someone mentioned the massive revelry that would be taking place the next day. Given that tips from locals were behind my best travel decisions in the van– I listened, and adjusted my travel plans to hang back a day and attend the parade.
I had no idea what I was in for.
As Mac and I headed toward the parade route the next day, just about an hour before the parade started— we realized we ought to have arrived MUCH earlier. Or at least, everyone around us surely had.
People’s preparation and setups were out-of-this-world. There were tents, tables, and coolers set all over the public sidewalks and sides of the streets— there were decorations, costumes, huge amounts of food and sweets, and of course— beads. Folks had commandeered porches, porticos, and building entryways to get a better vantage point for the parade.
And there were styrofoam and red Solo cups, and shiny beer cans. EVERYWHERE. The whole thing had the feel of a big tailgate party for an SEC football game.
People were shades of tipsy, drunk, and absolutely blotto— despite the fact that it was just before 11 AM.
I nudged in next to a few folks who had tall boys of Guinness in their hands. They were running out, they lamented, or they would have shared (thanks, guys).
I have to say, the parade itself was pretty impressive— lots of floats. Curiously, most of the floats were created by several “clans”— a word that is neutral to see in Ireland and alarming to see in the American South. Surely, these were the family-style clans, but still, stuff in the South hits different if you’re from a Northern state.
Anyway, Mac was focused on getting some beads for himself, which he achieved by just being the adorable boy he always is— in no time, someone handed him a shamrocked set of green beads, which he wore proudly.
It seemed the floats were also full of people who were either 1. Drunk, 2. Members of the Irish-Catholic clergy, or 3. Drunk members of the Irish-Catholic clergy. A big “yikes” to the latter.
I have mentioned in previous posts that as a single woman living alone in a van, drinking during my travels was just not something I ever felt super-safe doing. And spaces in which thousands of people have consumed outer-space-levels of alcohol were no more inviting to me, accordingly— so I watched a few hours of the parade and broke away.
As I walked a few blocks to get clear of the throngs, I happened upon one of the famous historic squares that contained a fountain— and in the spirit of true St. Patrick’s Day idiocy, someone had dyed the water a dark, forest green.
Classier, perhaps, than the neon green tinge the Chicago river takes on. TAKE THAT, Chicago.
I had a campsite just outside of town, in a very groomed and well-appointed RV park that contained plenty of huge oaks and cypress, draped with Spanish moss. It was pretty beautiful at sunrise and sunset, as the beams of light shone through the branches.
I was just happy for some quiet.
Back at camp, I looked into tour options for the next day— some kind of architecture tour seemed right to do in a city so well-known for it. But these could be lengthy, up to 4 hours— and Mac could probably not join for them— and the heat and humidity in March was going to be a lot for him to take if he was cooped-up in the van.
Just then, a pamphlet in the RV park office caught my eye, and I realized I’d found my solution: Oliver Bentley’s Tours.
You see, Oliver Bentley was a dog. A Very Good Boi, most likely.
And his dad decided to start a dog-friendly walking tour that would weave the history and architecture of the city together— I signed up immediately.
The next day, I got to one of the downtown squares to meet our group— and was so pleased to find a Basset Hound, a spotted mutt, a white Labrador, and a Boxer mix waiting there with their owners, whose names I forgot as soon as I learned them. (Yes, I retained most of the dogs’ names: PRIORITIES).
The tour was extremely informative— starting with a fact I never would have learned had I not specifically done the dog-friendly one. The guide pointed out metal discs that looked like lids, painted green, that were located around the squares on the ground— they had a white dog outline on them, and a foot pedal.
He explained these were dog waste receptacles— and demonstrated pushing on the pedal with his foot— the lid shot upward, and he disposed of his dog’s waste. This begged the question from the group about why these existed.
“Savannah takes its squares really seriously, and it’s really hot and humid here all the time. So, they don’t want people to dispose of their dog waste in the trash cans, or it’ll smell.”
This was the most genius invention— perhaps of all time (?)— and it was ONLY in Savannah.
Onward the tour forged, though everything we learned from here was bound to be a disappointment.
Luckily, it was not. (THE LUCK OF THE IRISH MAYBE?!)
The first stop was a culturally-significant one. The grave of William Washington Gordon, which was — as our guide carefully explained— literally built on top of the grave of Tomo-Chi-Chi, perhaps the area’s most significant native American leader.
No, this wasn’t even symbolic. It was just literal colonialism at-work.
Tomo Chi-Chi was a tall man for his time, nearly 6’5,” and created the circumstances in which his tribe could live in total peace with the white settlers who came to Savannah. He negotiated treaties and trade that benefitted his people, and was mutually adored by both native members of his tribe and the white Spaniards and Englishmen who vied for control of the area.
There are legends that Tomo Chi-Chi was responsible for the English prevailing in the conflict between the two, knowing that the Spaniards would have made absolutely everyone worse off.
Now, I’m not going to spill a lot of ink here about William Washington Gordon, the rich, powerful, white man, whose ugly obelisk of a statue dominated the square that previously belonged to the body of Tomo Chi-Chi. But if you know Savannah, and you recognize the surname ‘Gordon,’ than you know this guy’s lineage eventually produced Juliette Gordon Low, the founder of the Girl Scouts.
So, your beloved Girl Scouts cookies are basically colonizers. You’re welcome.
Anyway.
Each of the squares in Savannah contains a sculpture, and I learned on this tour that those sculptures contain multitudes, as it were. The historical clues left within the artworks could send important meanings out to the viewer, and later, helped historians identify the key themes that sculptors used to get their ‘Easter egg’ messages across.
Take this sculpture of this important guy in a coat.
He’s wearing a coat, a military coat (but not a dress coat). He’s got his sword drawn, but down at his side, and he’s got one hand on his hip like “try me, b*tch.” The lions around him— on all four corners— had their mouths slightly open, to imply ferocious readiness.
Though, to me, it looked like they were so bored, they were just yawning.
Mac was NOT bored by this tour of the squares one bit. Why? There were squirrels— his arch nemesis— the Spanish to his English— EVERYWHERE. Occasionally, I would snap off his leash just to watch him tear across the well-heeled squares after his prey.
No, he did not catch one. But the entire tour group got excited for him every time he tried.
One of the squares contained a sculpture of a young man in breeches holding a flat aloft, seeming to charge forward with it. This depicted William Jasper, a young sergeant that TWICE in battles with the Spanish insisted in keeping the battle flag aloft, thus ensuring surrender would not be assumed by the reinforcing armies.
The first time he did this, he was grievously wounded as he charged across the battlefield holding the flag and swinging it around like a man possessed. This earned him an increase in rank, a folk song, and the respect of pretty much everyone who sided with England.
The second time he did it, he died.
There’s a lesson there folks: don’t try to relive your former glory. Shit never works out the second time around.
Though, everyone was really sad when he died. So. There’s that.
Speaking of death, there was another symbol about status that I was pretty tickled to learn on the tour. If you see a mounted rider on a statue, look at the horse hooves— they are telling you something.
Are all the horse hooves on the ground? The person depicted was unscathed in the battle.
Is ONE of the horse hooves lifted? The person depicted was wounded in battle, but lived.
Are TWO of the horse hooves lifted? That man got really dead in that battle.
Which brings us to the Pulaski monument in another square — a courageous Polish guy that came to America to fight for the Americans in the Revolutionary war for… reasons. (Think, kinda like Lafayette in the Revolutionary War). Pulaski supposedly invented the idea of calvary, so the deaths of thousands of horses over time are on his shoulders.
Using our previously-learned skills, we learned that this man was killed by the horse hoof evidence in the statue— turns out, he died of grapeshot to the groin. OUCH.
These squares were all beautiful, and were all historically significant. It was a lovely tour, and once the dogs all said goodbye, I was on my way to explore the rest of Savannah.
Having been to Savannah a few times, I was able to mostly avoid the tourist trap of River Street and its surrounds.
BUT, that said, I had one ‘museum’ near there I had wanted to visit: The Prohibition Museum.
Was this bound to be a gimmicky museum-in-name-only experience? Absolutely. Did I want to do it anyway? Yes— while the topic would no-doubt be sensationalized, the era of prohibition is an almost unbelievable spate of history, and one worth looking at.
This museum was made up of a surprisingly informative set of displays— and while the wax figurines were absolutely cheesy, and the material most often reproductions— there was some quality information to be discovered within.
For instance, 40% of all alcohol was homemade during Prohibition — and women often would “run” their homemade liquor to others by stowing the bottles into baby carriages covered with blankets, often for pay. Grocery stores straight-up sold liquor-making kits (not illegal).
Another fun fact? Walgreens basically built its business on “Medicinal Whiskey”— taking the operation from 20 stores in 1919 to 525 stores nationwide by the end of prohibition. This was nearly entirely based on prescription whiskey sales.
The sport of NASCAR was born from bootlegging and specifically, rum-running to avoid the cops. A factoid I just loved.
And lastly, it was a hoot to see what the liquor companies did to survive during the ban— Budweiser made frozen egg products, Coors made malted milk, and Pabst made cheese. Anything to do with fermentation, I suppose?
Of course, no visit to this era would be complete without the Women’s Temperance Movement. Carrie Nation— who carried a hatchet to crush liquor casks— had a crusade that was no-doubt fueled by her own relatives’ addition to alcohol. She and other women, who were often victims of abuse and neglect brought on by the alcohol use of husbands, banded together to “cut out the evil” and get rid of alcohol.
Her methods were extreme, her Biblical rationale was a bit foolhardy, but her quote “No working man ever drank a glass of rum who did not rob his wife and children of the price of it” was not wrong— men who dumped wages into alcohol often deprived their families of food, warmth, or other basic necessities.
The Prohibition Museum finished in a cute speakeasy— a slat featuring video eyeballs asked each guest for a password, and behind the big metal door was a bar. Not a bad way to end the tour, but I also figured the cocktails wouldn’t be any good there— so I departed.
After all that material about drinking around me, I was in the mood for a very good cocktail— enter Peacock Lounge, a bar that was underground (not unlike a speakeasy) and extremely beautiful. Art-deco style, they had classic cocktails served up by knowledgable bartenders.
I only wanted to have one drink, but they were so delicious— I had two.
During which, I chatted up the queer-leaning bartender and asked her about living in Savannah. And readers, she spilled the tea on the tyranny of SCAD.
What is SCAD? For those familiar, you know the Savannah College of Art and Design is an art school institution, one that ranks up with RISD (Rhode Island School of Design) as being one just about everyone has heard of.
SCAD, the bartender explained, over the decades — had bought up 51% of ALL buildings in downtown Savannah. Giving it basically a majority share in the real estate of Savannah proper.
WHAT?!
She went on to talk about an ordinance that city council recently passed, forbidding SCAD from buying any more buildings or land in the city. This sounded like a scandal, to be sure— but wasn’t SCAD well-regarded, I asked?
Not anymore. She referenced a 2017 Atlanta Journal-Constitution article (support your local newspaper with a subscription and get high-quality journalism, folks) in which local journalists deep-dived into the SCAM that was SCAD (sorry, the pun was right there).
The full article is a fantastic read, and is here (might be paywalled!):
https://www.ajc.com/news/special-reports/selling-dream/VVfRSVilHliyrTe9LAd5hN
If you don’t want to pay, it was stashed on the internet here:
https://pastebin.com/sds8mND1
The gist of it: Paula Wallace, the President of SCAD, paid herself a record salary (nearly $20 million a year), and the school charged 14,000+ students $50,000 a year for the acclaim of attending the university— most of whom go into debt to the tune of $37,000 for the privilege.
Through the article, I came to find the school whose prestigious name I thought went hand-in-hand with selectivity was NOT at all selective: at 94% acceptance (!), few students were ever turned away (if they could pay!). Leading one former professor to say: “We’re getting anyone and everyone with a pulse and a bank account”— yikes.
Wallace bought and sold property from her personal life into school possession at a large profit. Once, an outside law firm was hired to study the President’s salary— and was fired just a few hours after their hiring.
Also, these quotes from former employees and board members were wild:
“Something was not right. The school was rotten to the core.”
“It’s run on fear and loyalty. Everybody knows you can be fired pretty much for any reason.”
I’m always interested in where seats of power lay in new places I travel to— and this article was a fascinating one. This reporting was not alleging malfeasance, per se, but also painted the institution as one totally unconcerned with student success, only with its own finances.
And while that might sound like most colleges to some, it was still a long fall from grace for an institution I swore was a chapel.
Inspired by this read, I headed to the SCAD store. In years past, the SCAD store was a place to find works from new and emergent artists— some as small as a postcard, and some large-format works. All were edgy, providing a point-of-view that was far outside the norm, and was daring work that inspired.
But this time? I walked through the store fairly quickly, and walked right out.
“Art that could be in any tourist shop” might be the best way to describe what I saw in there. From very typical prints of Spanish moss, to lots of fairly conventional portraiture, the art wasn’t what it used to be at SCAD. Not by a country mile.
Along with some mediocre merchandise (that frankly looked like a poor take on Meow Wolf), the whole thing was pretty underwhelming. And most of the stuff wasn’t even made in Georgia, let alone at SCAD. I wondered where the more indie art could be found in town—but sadly, was hardly there long enough to find it.
I finished my time in Savannah by bopping around to try a few shops I’d heard about. The entirety of Savannah seemed to be quite obsessed with Leopold’s Ice Cream, and so I went mid-day on a weekday (only to find a substantial line).
I don’t love waiting for food, but the hype was strong, so I got a scoop of the “Chocolate Chewies and Cream”— a blend of homemade cookies with fresh-roasted pecans in the mix. It was absolutely divine. The wait was actually worth it (shock).
Our doggie tour guide from Oliver Bentley’s had recommended a dog-friendly restaurant that also contained a menu especially for dogs. And so it was, that I ended up at J. Christopher’s, an otherwise nondescript cafe a few blocks from any famed square.
I ordered a Benedict (which was very good), but who cares? You’re here to know about the dog menu and what Mac enjoyed. The “Doggie Bags” section contained two breakfast meals that looked pretty legit— I got him “The Bulldog”— which included skillet potatoes, bacon, ham, sausage, turkey, and chicken with scrambled eggs. Hilariously, they also crumbled up Milk Bones on top.
Mac lost his ever-loving mind.
He never ate anything so fast.
My last stop in town was to pick up a few cigars at the Ye Olde Tobacco Shop. Located down near the touristy area, I had no idea if the place would be any good, but I knew it was quite historic— having been in Savannah for ages.
I was thrilled to find they had hand-rolled, hand-dipped cigars in bourbon. Called “Savannah Twists” these were labeled ‘Quickie’ since they were the size of cigarillos.
I cannot tell you how delicious these cigars were. I bought them in spring, and smoked one as late as fall— and it was still on-point. If you’re curious to try them, they DO ship.
Savannah is a city that’s charming on the face, but is also extremely interesting to dig into. Sure, most likely come for the squares and the Spanish Moss, but the people, the spots, and the history are intriguing far beyond the superficial.
Sometimes, you visit a place when you’re young, and then it fades through time. Savannah was a place that held up — the memory of the place was actually exceeded by revisiting it. If you haven’t been to Savannah, or haven’t been in a hot minute, it’s time to go.